When a workaholic cosmetic surgeon survives a highway catastrophe thanks to a cement truck driver’s fatal act of kindness, he’s rewarded not with gratitude—but with a dead man in his passenger seat, demanding apologies, confessions, and much more.
Type:
Feature
Status:
For sale
Page Count:
105pp
Genre:
Comedy, Drama, Family, Fantasy
Budget:
Independent
Age Rating:
13+
Synopsis/Details

DR. CARL BATES, 42, fixes faces for a living and ignores everything else—marriages, daughters, consequences. Time, to Carl, is a commodity best booked solid.

RAY TUBBS, 36, measures time differently. He works to live, loves his wife TONI and their newborn son TONRAY, and pilots a battered Carney Bros. cement truck through brutal heat and worse safety standards.

Their lives intersect for half a second on the interstate.

When Ray’s tire explodes, he has two choices: obliterate a sleek black Lexus… or roll his truck and die alone. Ray chooses the option that saves a stranger. Carl feels the tremor, calls 9-1-1, and drives on—already late for a nose job.

Ray dies. Carl barely slows down.

Carl’s attorney best friend, STEVE RIDGELY, assures him he did “everything right.” Life continues beautifully—until the next morning, when Carl finds Ray sitting calmly in his passenger seat, looking like death with better posture. Ray, it turns out, is stuck haunting the interstate and can’t move on until Carl delivers a final message to Toni: an apology for leaving that morning without a goodbye kiss. Something Ray never forgot… and Carl has never once said out loud in his own life.

Carl declines. Apologies are not his specialty.

Then Ray explains the truth—that Carl’s lane was his escape, that Ray chose death over inconvenience. The haunting intensifies. The mission becomes mandatory.

What follows is a series of increasingly uncomfortable encounters: a grieving widow who doesn’t believe in ghosts, a dead man with inconvenient secrets, and a cosmetic surgeon learning—much too late—that people are harder to repair than faces. As Carl digs deeper, he discovers Ray wasn’t quite the saint he appeared to be, and that the cement company’s negligence, not fate, may have killed him.

With Ray hovering, Steve lawyering, and Carl’s own life quietly unraveling, the unlikely duo take on Carney Bros., forcing justice out of corporate indifference and into a settlement big enough to make grief blink.

At last, on an overpass suspended between here and elsewhere, Ray gets to apologize in person, Toni gets to believe, and Carl—haunted, humbled, and oddly reborn—faces a future where time is no longer something to outrun… but something to finally show up for.

Some lessons come gently. Others ride shotgun.

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The Writer: Art D'Alessandro

Art D'Alessandro was graduated summa cum laude from Rollins College in Winter Park, Florida where he was the recipient of both top prose and poetry writing awards. He co-founded and ran The Maile School, one of the southeast’s most highly regarded talent training facilities for over 20 years before its sale in 2004. The school's alumni include Mandy Moore, Spencer Locke, Norm Lewis, Arielle Kebbel and two Miss Americas. His love of film has led to over forty screenplays bearing his name as writer, including “THE FINAL SEASON” starring Sean Astin, Powers Boothe, Tom Arnold and Rachael Leigh Cook. Directed by David Mickey Evans, “The Sandlot,” TFS premiered at the Tribeca Film Fesitval, hit 1… Go to bio
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Lawyer: Bonnie Berry Lamon