After a wounded fugitive takes refuge in her home, a grief-stricken widow must confront her paralyzing trauma to protect her children—and reclaim her life.

Type:
Feature
Status:
For sale
Page Count:
92pp
Genre:
Crime, Drama, Thriller
Budget:
Independent
Age Rating:
17+
Synopsis/Details

JOY, 35, has not left her bedroom in months, immobilized by grief since her husband was killed in Afghanistan. While she retreats from life, her father-in-law JAVIER has stepped in to raise her children: OSCAR, 12, an autistic boy struggling with bullying and self-worth, and EVE, 15, prematurely hardened, hiding vulnerability behind heavy makeup and a reckless relationship with her older boyfriend, Tyson.

The fragile household had already been shaken by Javier’s leukemia diagnosis, but things are looking up, or so Javier hopes will be confirmed by today’s visit with his oncologist. He sees the kids off to school and heads to his appointment, but as the garage door comes down, a man sneaks inside.

Joy is jolted awake by VOLT, 29, a wounded fugitive who bursts into her bedroom waving a stolen .22 pistol. Bleeding from a gunshot sustained during a burglary gone wrong, Volt forces Joy—once a nurse—to treat him. It’s clear he’s really after one thing: oxycodone. When he taunts her with the American-flag memorial box, Joy panics, nearly escaping before collapsing into a paralyzing attack.

A tense truce forms: Volt will not hurt anyone or touch the flag if he can hide out until dark. When Javier returns home and mentions he has pain medication, Volt settles in, methodically numbing himself as the day unfolds and the strangers begin to reveal their wounds.

Oscar arrives home bruised from bullying and unexpectedly connects with Volt, who praises the boy’s hidden talent for drawing. Joy, realizing she never knew her son’s gift, begins to see how deeply she has vanished from her children’s lives. When Javier briefly disarms Volt, the young man dares him to pull the trigger—yet the old man cannot, and Volt regains control.

Elsewhere, Eve leaves a women’s clinic without seeing a doctor, gets caught in a storm, and is driven home by a police officer. Back at the house, Volt charms her, and she impulsively asks him to take her away to Mexico. Jealous and desperate for connection, Oscar attempts to sneak out after Volt, clutching a sketch he made of him, only to become trapped halfway through his bedroom window—another quiet cry for attention Joy can no longer ignore.

As night falls, Volt learns the officer he shot died of a heart attack en route to the hospital. The news breaks him. Suddenly subdued, he announces he needs Javier to drive him twenty miles away. Joy refuses—this was never part of the deal—but Javier agrees, preparing the car.

As Volt steps outside, Joy finally opens the memorial box, retrieves the revolver hidden inside the folded flag, steadies herself through the surge of panic, and walks out the front door for the first time in months. She confronts Volt—who reveals unexpected vulnerability—forcing Joy to make a tough decision.

In that moment, Joy reclaims herself, protecting her family and becoming the mother they have been missing for far too long.

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The Writer: Art D'Alessandro

Art D'Alessandro was graduated summa cum laude from Rollins College in Winter Park, Florida where he was the recipient of both top prose and poetry writing awards. He co-founded and ran The Maile School, one of the southeast’s most highly regarded talent training facilities for over 20 years before its sale in 2004. The school's alumni include Mandy Moore, Spencer Locke, Norm Lewis, Arielle Kebbel and two Miss Americas. His love of film has led to over forty screenplays bearing his name as writer, including “THE FINAL SEASON” starring Sean Astin, Powers Boothe, Tom Arnold and Rachael Leigh Cook. Directed by David Mickey Evans, “The Sandlot,” TFS premiered at the Tribeca Film Fesitval, hit 1… Go to bio
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Lawyer: Bonnie Berry Lamon