When seniors begin disappearing without a trace, Detective Sandy Marone’s investigation plunges her into a hidden reality she was never meant to find.
Type:
Feature
Status:
For sale
Page Count:
112pp
Genre:
Crime, Drama, Mystery, Sci-Fi
Budget:
Independent
Age Rating:
13+
Synopsis/Details

On Thanksgiving morning, Charles Jordan—a Vietnam veteran and retired literature professor—heads out for a fishing trip and never returns. Detective Sandy Morone is assigned the case, the third in a matter of weeks to follow the same unnerving pattern: elderly men and women vanishing without a trace. No struggle. No witnesses. No evidence of foul play.

When Jordan’s wife, Marie, disappears days later, Sandy finds the first crack in the pattern. A message has bloomed across the steam-fogged bathroom mirror: Don’t worry.

As Sandy and her partner, Detective Rudy Sanchez, dig deeper, they cross paths with Freddy Marin, a fringe loner who has been collecting cassette tapes from nearly every missing senior. Freddy claims the vanished aren’t dead—they’ve been taken. Not by criminals, but by something beyond human comprehension. He calls them “Time Wasters”: people who slip back to moments just before their disappearance. His story is dismissed as delusion, and Freddy is quickly ruled out.

But Sandy can’t shake the feeling that something is wrong. Already stretched thin between the job and her family—especially her stay-at-home inventor husband, Tommy—she begins seeing things she can’t explain. In her own mirror, she swears she glimpses Marie Jordan staring back at her. Stress, grief, exhaustion… or something else?

Using one of Tommy’s experimental sound-and-vibration devices, Sandy secretly tests her antique cheval mirror with the help of their seven-year-old son. Tommy walks in mid-experiment, joking about her “mirror obsession.” The laughter fades as the disappearances continue. More seniors vanish. Sandy’s dreams become infected with Freddy’s impossible theory.

Then a new message appears in Sandy’s mirror: Wel-come.

Before anyone can stop her, Sandy is pulled into the glass—vanishing without a trace as Tommy watches in horror.

Now Sandy is the missing one, and Tommy becomes the prime suspect. At home, fear takes hold. The children demand their mirrors be removed. Tommy’s father urges him to abandon fantasy and face reality. But where Tommy once mocked Sandy’s ideas, he now turns desperately to his inventions, haunted by a single question: is he losing his mind… or was she right?

Sandy awakens in a parallel world—peaceful, balanced, and vibrantly alive. It is an outpost of humanity’s future. There, a sector leader named Luke reveals the truth: the old world is dying. This new world will replace it. The missing seniors—those forgotten, abandoned, or quietly discarded—were the first chosen, reborn with youthful strength to guide the transition.

Given the chance to stay, Sandy refuses. She chooses her family.

She returns to her world at the exact moment she vanished—now one of Freddy’s so-called “Time Wasters,” minus the madness. She makes sure Freddy knows the truth.

Back home, Sandy understands her limits. She is only one person. Her memories will fade. The knowledge will slip away.

But for now, she remembers enough. And she becomes a harbinger of what’s coming.


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The Writer: Art D'Alessandro

Art D'Alessandro was graduated summa cum laude from Rollins College in Winter Park, Florida where he was the recipient of both top prose and poetry writing awards. He co-founded and ran The Maile School, one of the southeast’s most highly regarded talent training facilities for over 20 years before its sale in 2004. The school's alumni include Mandy Moore, Spencer Locke, Norm Lewis, Arielle Kebbel and two Miss Americas. His love of film has led to over forty screenplays bearing his name as writer, including “THE FINAL SEASON” starring Sean Astin, Powers Boothe, Tom Arnold and Rachael Leigh Cook. Directed by David Mickey Evans, “The Sandlot,” TFS premiered at the Tribeca Film Fesitval, hit 1… Go to bio
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