Moments from execution, a killer boards a supernatural train into his past, tasked with stopping his younger self from committing the crime that has led him to death row.
Type:
Feature
Status:
For sale
Page Count:
103pp
Genre:
Adventure, Drama, Thriller
Budget:
Independent
Age Rating:
13+
Synopsis/Details

As he’s led toward the death chamber, convicted murderer Robert Earl Deemer recounts the final moments of his life—not to a priest or guard, but to John, a gentle, whimsical presence who exists somehow inside Robert’s head. John encourages him through the ritual with quiet compassion. Strapped in, Robert offers his last words: “If I could change things, I probably would.”

Somewhere between life and death, Robert finds himself seated with John in an abandoned railroad depot. John suggests that change may still be possible. There’s a way back—but it won’t be easy, and it won’t be clean. Robert must board the next train and think of a time. Bewildered, desperate, and out of options, Robert steps aboard.
He arrives at a familiar depot in Bethel County. The year is 1971.

Back in the death chamber, a prison doctor checks the executed man’s body—only to find a faint, lingering pulse.

Robert races toward an abandoned barn, trying to stop a moment that defined his life forever: his father’s suicide. He arrives too late. Under John’s guidance, Robert jumps forward two years, landing in 1973, where he’s picked up by Sue Kaneeley, the mother of his former girlfriend, Sarah. Sue offers him her spare room—once her husband’s private “getaway,” before he “just got away.”

Reuniting with Sue and Sarah is painful, but nothing prepares Robert for meeting Bobby—himself at eighteen: angry, reckless, and hollowed out by his father’s violent death. Already veering toward disaster, Bobby wants nothing to do with this stranger who claims to have known his father in Vietnam, even after Robert confides that his own father “checked out the same way.”

Guided—and occasionally tested—by John, Robert stays close, enduring violence, humiliation, and heartbreak: a brutal beating from Bobby and his friends Luke and Jason, a reckless joyride toward an oncoming train, and the quiet devastation of watching his mother Lillian, still alive, numbing herself with codeine as she bears the scars of her husband’s suicide.

As July 4 approaches, Robert discovers the pivotal event that once sealed his fate. Bobby, Luke, and Jason plan to blow up the town’s water tower as a diversion while they rob the Bethbary bank. But something new emerges—a moment Robert never faced in his original life: Bobby must decide whether he’s capable of killing. If Robert can stop that choice, everything might change.

Bobby appears to choose differently—until Robert sees him heading toward the bank anyway. Has nothing changed? Has Robert failed?

Robert rushes to the bank for one last chance, only to find Bobby gone. Instead, Robert is arrested inside by Officer Dilly, taking the fall for a crime that may no longer belong to Bobby. In jail, Robert follows John’s final instruction: when his mission is complete, speak John’s name. The cell cannot hold him.

John returns Robert to the abandoned train station, congratulates him on a job well done—and tells him it’s time to go back. Confused but trusting, Robert steps into a blinding wall of light.

In Bethbary, 1973, Bobby emerges transformed—alive with purpose, ready to make different choices. In 1999, a body is wheeled from the death chamber—also changed.

The past has been rewritten. And so has the man who helped it happen.

All Accolades & Coverage

(This is reformatted as close to the original as possible. I do not know the company producers sent the script out to for coverage, only the reader's name, which is included.)

TITLE: Last Train Home (aka Reunion )
AUTHOR: Art D’Alessandro
READ BY/DATE: Andrew Hess
FORM/PAGES: Screenplay/105 Pages
GENRE: Redemption
BUDGET: Low - medium
CIRCA: Present -1970’s
LOCALE: Bethel, Florida

LOGLINE: A convict is sent back in time to change himself. A story of redemption, with a hint of hope.

SUMMARY: A man on Death row has just been electrocuted, though he has not yet died. His pulse "still" pounding, and with the clock ticking, we follow Robert who is given the chance to change his fate by going back into his past. He is given three days, until the Fourth of July by a mysterious man named John, who acts as his guide throughout the journey. He sends Robert back in time to his old hometown, where he is reunited with all his loved ones that he’s lost, but must not let on to who he is. He meets his younger self, Bobby and tries to talk him (self) into straightening out his life before it’s too late. Bobby lost his father to suicide, so at this stage we find him full of anger, hate and mistrust. Bobby and his two friends, Jason, the little guy who always follows orders, and Luke, the bully of the three, plot to rob the town’s bank on the fourth of July. Robert stays with Sue, mother to Sarah, who is Bobby’s girlfriend. Robert meets all of the locals that he’s come to remember, the local sheriff, Farmers, etc. When the night of the robbery arrives, Robert must find a way to convince Bobby that this path he’s on will only lead to destruction. At a pivotal point Bobby is faced with a choice and makes the right one, while Robert is left holding the bag for his former self and is carted off to jail. When it seems as though Robert will miss his chance to return under the 3-day limit, John, in disguise, as he is frequently throughout the story, whisks him away back to our opening. Returning to the scene of the death chamber, they carry the dead body out of the chamber to reveal the arm of not Bobby/Robert, but of Bobby’s bully friend, Luke.

COMMENTS: The opening is strong, it has an easy to follow story and plot. Good concept on meeting and trying to change younger self, interesting way of synchronizing actions. Great twist at the end.

Project Recommendation: Highly recommended! Great story. An international subject matter the audience can identify with in today's life of turmoil!

Writer Recommendation: Recommend: Good writing for hope-filled stories

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One final chance to change your destiny.

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The Writer: Art D'Alessandro

Art D'Alessandro was graduated summa cum laude from Rollins College in Winter Park, Florida where he was the recipient of both top prose and poetry writing awards. He co-founded and ran The Maile School, one of the southeast’s most highly regarded talent training facilities for over 20 years before its sale in 2004. The school's alumni include Mandy Moore, Spencer Locke, Norm Lewis, Arielle Kebbel and two Miss Americas. His love of film has led to over forty screenplays bearing his name as writer, including “THE FINAL SEASON” starring Sean Astin, Powers Boothe, Tom Arnold and Rachael Leigh Cook. Directed by David Mickey Evans, “The Sandlot,” TFS premiered at the Tribeca Film Fesitval, hit 1… Go to bio
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Lawyer: Bonnie Berry Lamon