A biographer spends four years training herself to think like a dead feminist icon, and gets so good at it that when she finds proof the icon stole her masterpiece from her own sister, she doesn't expose the theft. She finishes it.
Type:
Feature
Status:
For sale
Page Count:
116pp
Genre:
Drama, Thriller
Budget:
Independent
Age Rating:
17+
Synopsis/Details

CLAIRE PRUITT has spent a decade rebuilding her life around one book, the writing of a legendary feminist author who, in Claire's own words, saved her.

Now racing to finish the definitive biography, Claire has a choice, and she makes the wrong one. She buries what she's found, and the cost climbs fast. She turns colder toward the one person who found the truth, more controlled with the best friend who's loved her for a decade, and — worse — she starts sounding like the woman she's protecting, reciting conviction in a voice that isn't quite her own. Then a second discovery lands, this one uglier than the first: evidence Vera didn't just steal from her sister, she tried to have her declared unfit to raise her own children. The woman running interference for Vera's legacy has real teeth, and she uses them, not on Claire, but on anyone who gets close enough to the truth to be a problem. Claire lets it happen without asking what "handled" means. By the time her best friend finds the private journal that reveals just how far gone she is and decides to intervene, it's already too late to matter. Alone that night, Claire stops fighting what she's become. It doesn't feel like a collapse. It feels like coming home.

Jo tries one last time, the same words that pulled Claire back from the edge once before. This time, Claire doesn't hear rescue. She hears the exact threat her idol once faced, and she answers it the only way she knows how: calmly, ritually, without a flicker of doubt, removing the threat. By morning she's dressing for the biggest night of her career, mentioning to her handler that her best friend "may not make it after all," and delivering the performance of her life to a standing ovation, luminous, certain, and for the first time, indistinguishable from the woman she destroyed herself to protect. The truth dies with the friend who tried to save her. The researcher who found it drives away without the reward she wanted. And on a signing table, under a stack of finished books, an unclaimed name card sits beside an acknowledgments page that never once mentions the woman this story was always actually about.

Video
The Devoted Teaser

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This Script Is Loved By

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The Writer: Michael Williams

Michael Williams is a screenwriter drawn to character-based stories rooted in lived experience. Having called Italy, California, Sweden, and Scotland home at different points in his life, he writes with an outsider's eye and an insider's warmth — attentive to the small, specific details that make a character feel real, wherever they're from. His debut screenplay, the romantic dramedy The Realest Thing, draws directly from his own life, blending humor and honesty to explore love, self-discovery, and the truths people usually keep to themselves. Mike's writing favors emotional authenticity over easy sentiment, treating his characters' flaws and contradictions as the heart of the story rather… Go to bio
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