When a man who engineered dozens of murders deemed murder/suicides dies trying to escape justice, the law resurrects him to stand trial — forcing a jury to decide whether guilt survives death.
Type:
Feature
Status:
For sale
Page Count:
106pp
Genre:
Crime, Thriller
Budget:
Independent
Age Rating:
17+
Synopsis/Details

A quiet suburban marriage fractures under familiar strain. When a masked stranger enters the home, calm and controlled, what follows is not violence, but choice. A choice shaped by fear, history, and the knowledge that someone is watching. The night ends unfinished, interrupted by a teenage daughter who comes home at the wrong moment. Her parents survive. Broken. Others before did not.

As police investigate, the case appears to fit a familiar pattern: domestic tension, a weapon from the home, no forced entry. Another tragic near miss. But a detective notices something that does not belong. A detail that links this family to a growing number of closed cases ruled murder-suicides. Slowly, a pattern emerges. The victims were never attacked by their spouses. They were guided by a third party.

When the man responsible is finally identified and cornered, he dies by his own hand before he can be arrested. Justice seems denied. Instead, the legal system invokes a controversial law: when a suspect dies to evade prosecution, a clone may be created so justice can proceed.

The clone, Jonah Hale, wakes as an adult with the memories of the man who lived and died before him. He admits every crime. He explains the process calmly. He insists he never killed anyone. Charged with dozens of counts of first-degree murder, Jonah becomes the center of a case that forces the law to confront questions it was never designed to answer.

Assigned to defend him is Martin Keller, a disgraced public defender battling alcoholism and irrelevance. What begins as a career death sentence becomes something else as Martin realizes the case is not about denying horror, but defining responsibility. As survivors testify and the full brutality of the crimes is laid bare, the courtroom turns against Jonah. He shows no remorse. No pride. Only precision.

At trial, the prosecution argues continuity: same DNA, same memories, same mind. The defense argues rupture: memory is not action, knowledge is not guilt, and identity requires time. Jonah takes the stand, explaining how silence, proximity, and choice destroyed families without a single command ever being spoken. Hatred peaks. The jury recoils.

When the verdict is read, the answer satisfies no one.

Born Yesterday is a psychological legal thriller about control, responsibility, and the terrifying limits of justice in a world where death is no longer an escape — and memory may be the most dangerous weapon of all.

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The Writer: Daniel Paul Duval

“Manitoulin Island-based screenwriter and novelist, I bring an accountant’s precision and a storyteller’s instinct to crafting character-driven, genre-versatile scripts. Manitoulin Island-based screenwriter and novelist with a sharp eye for story and a steady hand at craft. Though I wear a Tax Specialist’s badge by day, by night I’m writing characters who find themselves in unexpected places—morally, emotionally, sometimes geographically. My tax-preparer rigour means my drafts arrive on time, formatted properly, and with fewer holes than you’ll often see in this business. Over the past several years I’ve developed feature-length scripts and TV pilots that centre on flawed characters… Go to bio
Daniel Paul Duval's picture